Showing posts with label John Wiley and Sons. Show all posts
Showing posts with label John Wiley and Sons. Show all posts

Friday, March 30, 2007

Limboland: Guest Column Reprint by "bluegill"


Alfred Lubrano is a Columbia-trained journalist and author. He's also the son of a bricklayer. His book, Limbo: Blue-Collar Roots, White-Collar Dreams chronicles the feelings and experiences of those who move from one social class to another and the ever-present uneasiness of not fully belonging to either that accompanies that journey.

Having grown up with a shovel in one hand and a book in the other, it's a feeling I well understand. Certainly, it's one I've been struggling with more than usual as of late, owing to the fact that the notion of revitalization applies to one's person as much as it does to a city. Self-reinvention can be a tough business, especially if one leads a dualistic life to begin with.

It's likely a product of some logical fallacy whose name I don't have the energy to summon at the moment, but it occurs to me that the reverse is true as well. If my own revitalization process resembles that of a city, then the city's process must resemble that of mine, thousands of mes, all going through some sort of loosely collective, simultaneous experience, passing from one way of being into another.

Lubrano from Limbo:

We didn't know it then, but those days were the start of a branching off-a redefining of what it means to be a workingman in our Italian-American family. Related by blood, we're separated by class, my father and I. Being the white-collar child of a blue-collar parent means being the hinge on the door between two ways of life. With one foot in the working class, the other in the middle class, people like me are Straddlers, at home in neither world, living a limbo life. It's the part of the American Dream you may have never heard about: the costs of social mobility. People pay with their anxiety about their place in life. It's a discomfort many never overcome.

What drove me to leave what I knew? Born blue-collar, I still never felt completely comfortable among the tough guys and anti-intellectual crowd who populated much of my neighborhood in deepest Brooklyn, part of a populous, insular working-class sector of commercial strips, small apartment buildings, and two-family homes. I never did completely fit in among the preppies and suburban royalty of Columbia, either. It's like that for Straddlers, who live with an uneasiness about their dual identity that can be hard to reconcile, no matter how far from the old neighborhood they eventually get. Ultimately, "it is very difficult to escape culturally from the class into which you are born," Paul Fussell's influential book Class: A Guide through the American Status System quotes George Orwell as saying. The grip is that tight. That's something Straddlers like me understand. There are parts of me that are proudly, stubbornly working class, despite my love of high tea, raspberry vinaigrette, and National Public Radio. Born with a street brawler's temperament, I possess an Ivy League circuit breaker to keep things in check. Still, I've been accused of having an edge, a chip I've balanced on my shoulder since my days in the old neighborhood.

Listen to Lubrano's interview with Liane Hansen from NPR's Weekend Edition Sunday, October 26, 2003, and let me know what you think.

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Thanks, bluegill, for permission to reprint your posting from March 20, 2007.

Limboland by Alfred Lubrano
ISBN 9780471714392 John Wiley & Sons Feb. 2005 (Paperback) $16.95 248pp.
Originally released in hardcover in Oct. 2003.

If you'd like to read more by "bluegill" (the nom de plume of New Albanian Jeff Gillenwater) and his colleague at NA Confidential, click that link. The permanent link to Jeff's posting and its associated comments is http://cityofnewalbany.blogspot.com/2007/03/limboland.html.

I'll tell you that NA Confidential is essential reading. Ann and I read it every day. Its editors are literate and provocative, and the blog is always a pleasure to read.

Wednesday, March 14, 2007

Star Power on the Page



Remember to share with us (and PBS) your thoughts on the greatest American novels, as discussed this past weekend in PBS Scheduling Documentary on American Novel.

I am Spartacus!

Aren't you glad he's still around to write his final memoir?

In Let's Face It: 90 Years of Living, Loving, and Learning, the inestimable Kirk Douglas (born Issur Danielovitch, Ellis-Islanded to Izzy Demsky) dispenses with all vanity and Hollywood P.R. to tell the "real" story of his life.

For the first time, Douglas confronts the pain of the death of his son Eric, who overdosed on drugs. We learn how the star came back from a debilitating stroke while the world watched, and how he recovered well enough to rejoin his fellow actors on the set.

In the intro, this film icon talks about his name change and how his name was his trademark.

For fun, let's try this matching game. Who was who?

These actors were born as: 1. Muzyad Yakhoob; 2. Spanger Arlington Brugh; 3. Marion Morrison; 4. Mladen Sekulovich; 5. Frederick Austerlitz; 6. Antonio Dominic Benedetto; 7. Bernard Schwartz; 8. Mike Dowd; 9. Michael Douglas; and 10. Michael Douglas.


And took the stage names of: a. Fred Astaire; b. Tony Curtis; c. Mike Douglas; d. Michael Douglas; e. Danny Thomas; f. Karl Malden; g. Tony Bennett; h. Michael Keaton; i. Robert Taylor; and j. John Wayne.


Answers: 1-e; 2-i; 3-j; 4-f; 5-a; 6-g; 7-b; 8-d and c*; 9-h; and 10-d.
When Kirk's son Michael went for his SAG card, the singer/talkshow host Mike Douglas (born Mike Dowd)was registered as Michael Douglas. When young Michael John Douglas tried to register under the name "Michael Douglas," Kirk's son was established under that name, so he took the name Michael Keaton, in admiration of Diane Keaton.

Let's Face It: 90 Years of Living, Loving, and Learning by Kirk Douglas
ISBN 9780470084694 (John Wiley & Sons) March 2007 (Hardcover) $22.95